avant/indie, yes that's correct

Hello! I'm Meg, writer/musician type. I'll be posting about music, with occasional fandom and miscellaneous social equality reblogging. <3
Recent Tweets @megwilhoite
theorlandojones:

As we wrap up this terrible week and weekend some final thoughts before I get my black ass back to work tomorrow to fight fictional demons instead of feeling powerless against the real ones —
Although he wasn’t by any means a close personal friend, the death of Robin Williams affected by greatly. Working with him and David Duchovny on the film House of D was a privilege and seeing how he treated everyone he encountered regardless of race, class, gender or orientation remains a hopeful reminder that genuine kindness and empathy does exist in the world. Whatever the ultimate reasons for his decision to take his own life I pray for him, his family and all who suffer from the unrelenting grasp of depression and substance abuse. By shining his light on us all for the period of time he did, I am 100% certain that Robin left this world a better place than he entered it with a legacy that will not soon be forgotten.
That said, if we spent even a fraction of the time given to the tributes about Robin and the late Lauren Bacall also remembering the lives of Michael Brown, Eric Garner, John Crawford, Ezell Ford or Dante Parker (the 5 unarmed black men killed by police just in the past month) or honestly looked at the data about how often police shoot unarmed black men and women in this country we would all hang our collective heads in shame.
In the midst of thousands upon thousands of peaceful protesters who came out demanding answers and marching for justice with the powerful and heartbreaking refrain Hands Up. Don’t Shoot. the actions of a small few in Ferguson (many of whom were anarchists that intentionally came into the city to stir up trouble and perhaps a few others from the community who had simply reached their breaking point in the face of racial, economic and social injustice) gave the white power structure the cover to quickly change the narrative to one about the violence in the city (in reality almost entirely perpetrated by the militarized police rather than the demonstrators) instead of the murder of an unarmed teenager by a cop who “never meant for this to happen" (and don’t even get me started on that fuckery which should instead read "a cop who never meant to be held accountable").
In this way, a PROTEST became a RIOT. Images of demonstrators THROWING BACK tear gas canisters launched at them became stories of rioters throwing molotov cocktails AT THE POLICE (and yes I am aware of media reports showing that molotov cocktails were in fact used by protesters in some instances but not in the way that it was ultimately spun). And the police released incendiary and ENTIRELY IRRELEVANT information about Michael Brown that the media lapped up because it reinforced the all too familiar trope that “the violent black dude was a thug who got what he deserved”.
Black victims are regularly eyed with suspicion and contempt (and ultimately deemed responsible for what happened to them) while the media too often generates headlines that exhibit an air of disbelief at an alleged white killer’s supposed actions.
Even in our outrage at what happened this past week and the necessity for our voices to be heard so this story is not swept under the rug, we all know something like this will happen again. And again. And again.
Until each of us (black, white, brown, etc) demands accountability from our elected officials we will get the country we deserve. Tweeting is not enough. Feeling bad is not enough. Implying that we’re overreacting and it can’t really be that bad (but the president is black tho) makes you an accessory after the fact (not to mention an asshole). 
Which is why, as the GIF above shows, I’m giving America a down vote.
So how can we stop feeling powerless? What can we actually do?
Honestly, there are people much smarter than me who can do a better job of answering that question.
But trying to answer that question for myself is a large part of why I do what I do for a living. Because representation matters. Because being in control of our own stories empowers us to show a wide range of depictions of blackness and “otherness” (shockingly, not only do we not all LOOK ALIKE but we also don’t all THINK ALIKE) that are far more interesting than what we’ve been spoon fed in the past. I’m the first to admit that we’ve still got A LONG WAY TO GO and that’s where you all come in.
Although my engagement in fandom is embraced by some and side-eyed by others, these spaces of interaction may in fact play one of the most significant roles in the future of media and representation as we know it. At the very least it will create a future generation of professional storytellers (and social justice advocates) who were raised in the trenches of Live Journal, Tumblr, ao3 and other platforms currently in use or yet to be created.
I know this is your turf and even though there are times some of you wish I’d go away I genuinely appreciate the opportunity to interact with you here.
Together, we can make a difference.
Trollando out.

theorlandojones:

As we wrap up this terrible week and weekend some final thoughts before I get my black ass back to work tomorrow to fight fictional demons instead of feeling powerless against the real ones —

Although he wasn’t by any means a close personal friend, the death of Robin Williams affected by greatly. Working with him and David Duchovny on the film House of D was a privilege and seeing how he treated everyone he encountered regardless of race, class, gender or orientation remains a hopeful reminder that genuine kindness and empathy does exist in the world. Whatever the ultimate reasons for his decision to take his own life I pray for him, his family and all who suffer from the unrelenting grasp of depression and substance abuse. By shining his light on us all for the period of time he did, I am 100% certain that Robin left this world a better place than he entered it with a legacy that will not soon be forgotten.

That said, if we spent even a fraction of the time given to the tributes about Robin and the late Lauren Bacall also remembering the lives of Michael Brown, Eric Garner, John Crawford, Ezell Ford or Dante Parker (the 5 unarmed black men killed by police just in the past month) or honestly looked at the data about how often police shoot unarmed black men and women in this country we would all hang our collective heads in shame.

In the midst of thousands upon thousands of peaceful protesters who came out demanding answers and marching for justice with the powerful and heartbreaking refrain Hands Up. Don’t Shoot. the actions of a small few in Ferguson (many of whom were anarchists that intentionally came into the city to stir up trouble and perhaps a few others from the community who had simply reached their breaking point in the face of racial, economic and social injustice) gave the white power structure the cover to quickly change the narrative to one about the violence in the city (in reality almost entirely perpetrated by the militarized police rather than the demonstrators) instead of the murder of an unarmed teenager by a cop who “never meant for this to happen" (and don’t even get me started on that fuckery which should instead read "a cop who never meant to be held accountable").

In this way, a PROTEST became a RIOT. Images of demonstrators THROWING BACK tear gas canisters launched at them became stories of rioters throwing molotov cocktails AT THE POLICE (and yes I am aware of media reports showing that molotov cocktails were in fact used by protesters in some instances but not in the way that it was ultimately spun). And the police released incendiary and ENTIRELY IRRELEVANT information about Michael Brown that the media lapped up because it reinforced the all too familiar trope that “the violent black dude was a thug who got what he deserved”.

Black victims are regularly eyed with suspicion and contempt (and ultimately deemed responsible for what happened to them) while the media too often generates headlines that exhibit an air of disbelief at an alleged white killer’s supposed actions.

Even in our outrage at what happened this past week and the necessity for our voices to be heard so this story is not swept under the rug, we all know something like this will happen again. And again. And again.

Until each of us (black, white, brown, etc) demands accountability from our elected officials we will get the country we deserve. Tweeting is not enough. Feeling bad is not enough. Implying that we’re overreacting and it can’t really be that bad (but the president is black tho) makes you an accessory after the fact (not to mention an asshole). 

Which is why, as the GIF above shows, I’m giving America a down vote.

So how can we stop feeling powerless? What can we actually do?

Honestly, there are people much smarter than me who can do a better job of answering that question.

But trying to answer that question for myself is a large part of why I do what I do for a living. Because representation matters. Because being in control of our own stories empowers us to show a wide range of depictions of blackness and “otherness” (shockingly, not only do we not all LOOK ALIKE but we also don’t all THINK ALIKE) that are far more interesting than what we’ve been spoon fed in the past. I’m the first to admit that we’ve still got A LONG WAY TO GO and that’s where you all come in.

Although my engagement in fandom is embraced by some and side-eyed by others, these spaces of interaction may in fact play one of the most significant roles in the future of media and representation as we know it. At the very least it will create a future generation of professional storytellers (and social justice advocates) who were raised in the trenches of Live Journal, Tumblr, ao3 and other platforms currently in use or yet to be created.

I know this is your turf and even though there are times some of you wish I’d go away I genuinely appreciate the opportunity to interact with you here.

Together, we can make a difference.

Trollando out.

Because it remains at bottom the only element of sociality…in a world in which exteriority, anonymity, and solitude have taken hold, music—-regardless of type—-is a sign of power, social status, and order: a sign of one’s relation to others…Music has thus become a strategic consumption, an essential mode of sociality for all those who feel themselves powerless before the monologue of the great institutions.
Jacques Attali, Noise (1977)
114 plays
Lili Boulanger,
Œuvres pour chœur et orchestre

compos-h-er:

Lili Boulanger (1893-1918, France)

Psalm 129, for Chorus & Orchestra



                                 
Chœur symphonique de Namur
                       Orchestre philharmonique du Luxembourg
                                     Conductor: Mark Stringer



Happy birthday, Lili Boulanger!

Morning listening

I swear it looks better in real life
ancient proverb of artists with bad scanners (via sweettasteofbitter)

Tweets concerning UCSB shooting, misogyny, and masculinity by Imran Siddiquee, Director of Communications for The Representation Project, the organization behind Miss Represenation and the soon-to-be-released documentary The Mask You Live In

(via mildlyamused)

galifianafuck:

50 shades of grey dream cast

steve buscemi as christian grey

john travolta as anastasia steele

written and directed by quentin tarantino

soundtrack by seth rogen laughing throughout the whole film

(via itriedthatonceitwasabadmove)

medievalpoc:

Math and Science Week!
aseantoo submitted to medievalpoc:
Katherine Johnson
[x]
Katherine Johnson (b. 1918) is a former NASA physicist, space scientist, and mathematician of African-American heritage.
She worked at Langley Research Centre from 1953 to 1986 as a “computer” -  i.e. someone who did the math to make sure the rockets would lift off OK.
NASA’s Researcher News says:

"We wrote our own textbook, because there was no other text about space," she says. "We just started from what we knew. We had to go back to geometry and figure all of this stuff out. Inasmuch as I was in at the beginning, I was one of those lucky people."
That luck came in large part because she was no stranger to geometry. It was only natural that she calculate the trajectory of Alan Shepherd’s 1961 trip into space, America’s first."The early trajectory was a parabola, and it was easy to predict where it would be at any point," Johnson says. "Early on, when they said they wanted the capsule to come down at a certain place, they were trying to compute when it should start. I said, ‘Let me do it. You tell me when you want it and where you want it to land, and I’ll do it backwards and tell you when to take off.’ That was my forte."More flights became more complicated, with more variables involving place and rotation of Earth and the moon for orbiting. By the time John Glenn was to go up to orbit the Earth, NASA had gone to computers."You could do much more, much faster on computer," Johnson says. "But when they went to computers, they called over and said, ‘tell her to check and see if the computer trajectory they had calculated was correct.’ So I checked it and it was correct.”

That’s right - NASA didn’t trust their computers until they matched up with this lady’s work.
It’s worth noting, though, that there were other women, including Black women, in the computing team. Johnson was one of many people, of all races and sexes, working to make the space program succeed.
Science doesn’t just happen ‘cos of one or two geniuses. Like everything else, it takes a village.

medievalpoc:

Math and Science Week!

aseantoo submitted to medievalpoc:

Katherine Johnson

[x]

Katherine Johnson (b. 1918) is a former NASA physicist, space scientist, and mathematician of African-American heritage.

She worked at Langley Research Centre from 1953 to 1986 as a “computer” -  i.e. someone who did the math to make sure the rockets would lift off OK.

NASA’s Researcher News says:

"We wrote our own textbook, because there was no other text about space," she says. "We just started from what we knew. We had to go back to geometry and figure all of this stuff out. Inasmuch as I was in at the beginning, I was one of those lucky people."

That luck came in large part because she was no stranger to geometry. It was only natural that she calculate the trajectory of Alan Shepherd’s 1961 trip into space, America’s first.

"The early trajectory was a parabola, and it was easy to predict where it would be at any point," Johnson says. "Early on, when they said they wanted the capsule to come down at a certain place, they were trying to compute when it should start. I said, ‘Let me do it. You tell me when you want it and where you want it to land, and I’ll do it backwards and tell you when to take off.’ That was my forte."

More flights became more complicated, with more variables involving place and rotation of Earth and the moon for orbiting. By the time John Glenn was to go up to orbit the Earth, NASA had gone to computers.

"You could do much more, much faster on computer," Johnson says. "But when they went to computers, they called over and said, ‘tell her to check and see if the computer trajectory they had calculated was correct.’ So I checked it and it was correct.”

That’s right - NASA didn’t trust their computers until they matched up with this lady’s work.

It’s worth noting, though, that there were other women, including Black women, in the computing team. Johnson was one of many people, of all races and sexes, working to make the space program succeed.

Science doesn’t just happen ‘cos of one or two geniuses. Like everything else, it takes a village.